Dangerous Animals (2025) is an engaging thriller redeemed by Zephyr’s arc and the film’s commentary on patriarchal violence. The film’s unnerving themes and Zephyr’s unforgettable fight for survival cement it as a standout entry in feminist survival horror.
Savage and unrelenting, Coyotes (2025) blends survival horror with eco-horror allegory, pitting privilege against predators in a brutal “eat the rich” fable. While its pacing lags at times, its feral metaphor lands with teeth: family endures, wealth does not.
Shadows (2020) is a haunting, character-focused exploration of trauma and survival. Slow-burning, suffocating, and quietly devastating, the narrative is less about surviving monsters than surviving yourself.
Satan Wants You (2023) is a gripping and essential work of cultural horror, exposing how the Satanic Panic turned fiction into lived nightmare.
Baby Ruby (2023) is a stunning, nerve-shredding debut—an unflinching portrait of postpartum horror. Bess Wohl delivers a fearsome, beautifully unsettling film that captures the terror, pain, and paranoia of first-time motherhood with raw honesty and unflinching psychological horror.
Hunt Club (2023) is a flawed but ferocious slice of feminist revenge horror—predictable at times, but ultimately cathartic, bloody, and unafraid to let women bite back.
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