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E.L. King

E.L. King is a freelance entertainment writer, film critic, and host of the Slay Away horror podcast with a keen interest in horror film theory, and exploring horror through a queer and female lens. Bylines include Certified Forgotten, Film Cred, MovieJawn, Dread Central, and more.

Amelia (Essie Davis) is a distraut mother in The Babadook (2014), she is looking into the camera, exhausted and ready to break.

Maternal Horror: Exploring the Societal Demand for Perfection

Horror cinema exposes the unspoken terrors of motherhood—films like Baby Ruby (2023) and The Babadook (2014) interrogate the cultural silence around maternal ambivalence, revealing how postpartum depression, paranoia, and identity loss, are pathologized, judged, and ultimately demonized by a society that demands maternal perfection. Horror challenges the cultural demand for maternal perfection by transforming women’s silenced realities into visible monsters.

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